Marta und Anton 1925
Vintage
23,6 cm x 20 cm

August Sander Vintages

Anton und Marta Räderscheidt  Variante beschnitten
Vintage 1925         

 Vintage 1927
Kontaktabzug
Anton Räderscheidt
  

Sander Collage
Vintage 1929

Marta Hegemann vor Kinderbild nach
"Raum und Wandbild" Ausstellung
1929  Vintage
verso
 

Raum und Wandbild
Kinderzimmer von Marta Hegeman gestaltet
Vintage 1929

Franz Esser 1929 Vintage
Ständemappe Künstler

August Sander  1925 Vintage
Eröffnungsbild zur Mappe "Grossstadttypen"

Franz Esser 1929 Vintage Variante

Dr. Fritz Husten und Mathilde Husten Variante
Vintage 1928

Dr. Fritz Husten und Mathilde Husten
Vintage 1928

Emma Causemann 1928 Vintage

Marta Hegemann Vintage 1924
verso

Malerehepaar  1925
Vintage
25,9 cm x 17,1 cm

Prof. Hein Minkenberg
1928 Vintage Ständemappe Künstler / Bildhauer

Dr. Fritz Husten 1928 Vintage

The photograph (above right) is the picture finally selected by August Sander for inclusion in his Portofolio collection. It corresponded with his conception "to provide a portrayal of the times that is absolutely true to nature". He placed the painter, Anton Räderscheidt, in the Bismarckstraße in Cologne, at six in the morning when the street was empty of people, and dressed in his usual attire looking like a prop from one of Räderscheidt's own subjects.

Photographs  August Sander
 Die Photographische Sammlung
SK Stiftung Kultur-August Sander Archiv, Köln; VG Bild-Kunst, Bonn 1997

Vintage 1927
Anton Räderscheidt
 

Vintage 1928
Karneval "der Zoo"

Vintage 1925
Anton und Marta beim
Lumpenball in Köln

Hoerle, Seiwertn A. Faust, Andreas Becker

AR und Marta mit Ehepaar Lüttke

Jankel Adler mit AR und Marta "Zoo"

H.M. Davringhausen, Aloys Faust, Andreas Becker

Heinrich Hörle und Tata

Gerd Arntz und Frau mit Hetty Schuler (sitzend)
und Else Schuler (stehend)

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 The photograph by August Sander, "Der Maler Anton Räderscheidt" [The painter, Anton Räderscheidt] (above left) . This picture originates from the sequence "Menschen des 20. Jahrhunderts" [People of the twentieth century] and is probably the only print in existence. August Sander (1876-1964) is among the greatest portrait photographers of our century. His emphatic, objective shots quickly excited the attention and admiration of artists and writers such as Walter Benjamin, Kurt Tucholsky and Alfred Döblin.

A portrait collection of German people arranged according to their social standing. The collection was to be broken down into 45 Portofolios each containing 12 photographs and was the life's work of the photographer, August Sander. This work, the plan and layout of which has no equal, was never finished owing to the death of the photographer in 1964.

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© Pascal Räderscheidt Köln 1997
Auf dem Brand 10
D-50996 Köln
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pascal@raederscheidt.com