August Sander Vintages
       

Vintage 1927
Anton Räderscheidt
 

Franz Esser 1929 Vintage
Ständemappe Künstler

August Sander  1925 Vintage
Eröffnungsbild zur Mappe "Grossstadttypen"

 

Franz Esser 1929 Vintage Variante


Dr. Fritz Husten und Mathilde Husten Vintage 1928

 

Emma Causemann 1928 Vintage

Prof. Hein Minkenberg 1928 Vintage Ständemappe Künstler / Bildhauer


Marta Hegemann Vintage 1924
verso



Malerehepaar  1925
Vintage
25,9 cm x 17,1 cm


Marta und Anton 1925
Vintage
23,6 cm x 20 cm

 


 

Anton Räderscheidt 1927
29,7 cm x 24,5
Gunther Sander Print 1978

 


The photograph (above right) is the picture finally selected by August Sander for inclusion in his Portofolio collection. It corresponded with his conception "to provide a portrayal of the times that is absolutely true to nature". He placed the painter, Anton Räderscheidt, in the Bismarckstraße in Cologne, at six in the morning when the street was empty of people, and dressed in his usual attire looking like a prop from one of Räderscheidt's own subjects.

Photographs  August Sander
 Die Photographische Sammlung
SK Stiftung Kultur-August Sander Archiv, Köln; VG Bild-Kunst, Bonn 1997


Marta Hegemann 1929  Vintage
verso


ARSander.jpg (21188 Byte)
Vintage 1927
Anton Räderscheidt
 


 

Dr. Fritz Husten 1928 Vintage


Vintage 1925
Anton und Marta beim
Lumpenball in Köln

 

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 The photograph by August Sander, "Der Maler Anton Räderscheidt" [The painter, Anton Räderscheidt] (above left) . This picture originates from the sequence "Menschen des 20. Jahrhunderts" [People of the twentieth century] and is probably the only print in existence. August Sander (1876-1964) is among the greatest portrait photographers of our century. His emphatic, objective shots quickly excited the attention and admiration of artists and writers such as Walter Benjamin, Kurt Tucholsky and Alfred Döblin.


A portrait collection of German people arranged according to their social standing. The collection was to be broken down into 45 Portofolios each containing 12 photographs and was the life's work of the photographer, August Sander. This work, the plan and layout of which has no equal, was never finished owing to the death of the photographer in 1964.

 

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