Anton Räderscheidt

Angelika Hoerle

The painter of the New Objectivity

1899-1923

Mann mit Auge entfernt

Angelika Hoerle, Mann mit Auge entfernt (Man with Eye removed), 1921
Fick-Eggert Collection, Art Gallery of Ontario

In spite of dying young, Angelika Fick Hoerle (1899-1923), left a very promising artistic inheritance. She witnessed the first World War, the November revolution and Dadaism, which influenced her greatly. Hoerle developed a form of artistic expression, that builds upon Surrealism and the Cologne Progressives. Only a few of Hoerles works can be found nowadays, due to her death at only 23 years old, she was the wife of Heinrich Hoerle a Dadaist from Cologne and member of the Cologne Progressives. Even Max Ernst valued her phantastic configurations. For over 60 Years Angelika Fick Hoerle has been the mysterious stranger.

Angelika Hoerle, Anton Räderscheidt und Marta Hegemann 1923

Angelika Hoerle, Anton Räderscheidt and Marta Hegemann 1923

Angelika Hoerle Frauenportrait 1921

Angelika Hoerle
Frauenportrait (Woman’s Portrait) 1921

Bulletin D
Bulletin_D_Katalog
Angelika Hoerle, Anton Räderscheidt, Marta Hegemann, Heinrich Hoerle 1923

Angelika Hoerle, Anton Räderscheidt, Marta Hegemann, Heinrich Hoerle 1923

Angelika Hoerle, aus Schamade 1920

Angelika Hoerle,
from Schamade 1920

Advertising leaflet for ,a b c‘ folder, a picture book with 25 works by Angelika Hoerle, published by Stupid in 1920

Angelika Hoerle, 1914

Left

Angelika Hoerle by Heinrich Hoerle “Pockmarked Angelika” 1922

Below

Portfolio “Lebendige” (the Living) with woodcuts by Angelika Hoerle